white noise

Finally, that brings me back to the last day of Lolla 09. Sunday was even hotter than the day before, with a heat index pushing close to 110, but there was also a full plate of excellent acts lined up. It would be a long, but amazing day.

Like before we got into the park about 1:00 and claimed an excellent stage side spot for Bat For Lashes. I’ve been listening to this band for a couple month and really digging her Kate Bush-esque combination of intimate, almost spooky vocals against driving rhythm and lush arrangements. Just as the set was getting underway, I noticed that our prime spot right on the rail was directly across from a massive stack of bass amps. Thankfully we had ear plugs, because the bass was so strong, I felt my insides liquefying. I guess everything worked together just right – the crushing bass, her ethereal voice, the blazing sun, and our unobstructed view – because it was awesome.

After Bat for Lashes, we walked to the next stage over to catch the second half of the Cage the Elephant show. This was a case where my expectations weren’t high at all, but I wanted to swing by and see their single “Ain’t No Rest For the Wicked”. Turns out, these boys from Kentucky put on quite a show. I think I saw about four songs and the band was completely in the moment. Their lead singer went completely berserk by the end, and not only jumped the rail to crowd surf, and continue singing, with his corded mic – no, he went so far to stand up on the crowd and deliver a few lines. Epic performance, sir!

Next up was an act I had a curious interest to see, Dan Deacon. I’ve listened to some of his tracks and he does cool experimental stuff, but as a recording it’s a bit challenging. Many of his pieces percolate into huge walls of sounds and it can be fatiguing on the ears. But live, he was AWESOME. He started the set with about a dozen people on stage – primarily drummers, synths, and mallet percussion. Something about his wall of sound worked perfectly with Lolla. All those sonic textures blowing around in the big, open park. His audience grew larger and larger. And so did his band as he brought out a group of marching brass and more drummers.

Dan’s also a master of audience participation. He turned thousands of watchers into performers. At one point he orchestrated a human tunnel which grew and twisted through the throngs in the field. When the tunnel came close, I jumped in as well, first as part of an enormous conga line running through the tunnel of arms, then hands raised forming more tunnel when we reaching the end. And then back though. In the pure chaos and congestion of bodies that is Lolla, this random, but cooperative feat was just really unexpected. I started his set with with curiosity, and by the end I was blown away.

I had every intention of catching Passion Pit next, but the heat was intense and D and I were ready for a break before the evenings big shows. We spent about 45 minutes lying in the grass listening to Vampire Weekend on the next stage over. Later, as the Vampire fans cleared out from the big stage, I grabbed a sweet spot just behind a person on the rail for the next act. There are acts you never expect to see, and this was certainly one of them, Snoop Dogg.

From the moment Mr. Dogg hit the stage with “Next Episode” the party was on. The crowd that amassed was huge, absolutely going crazy, and by the low lying clouds, I’d say they made Snoop feel right at home. Classic hit after hit brought us back to the hip-hop of the 90’s. There was a full live band and DPG was on stage, backing him up like they did on The Chronic in `92. Snoop did a tribute to Tupac (actually one of my favorite rap songs), led a east side / west side (of the crowd) battle, and he even broke out a cover of House of Pain’s “Jump Around”.

And finally, the last headliner, The Killers, closed out the festival. Jane Addiction was playing at the other end of the park, but we had just seen them on the NIN|JA tour, plus we regrettably missed The Killers at Lolla 05. Their show was as grand and fun as their home city, Las Vegas. Frontman Brandon Flowers had great energy and they sounded great. D and I had a blast singing along.

Every Lollapalooza we’ve been to (4 of em now) has been a great time, but this was right up with the first one back in 1991. I think Sunday alone was worth the ticket price, not to mention we saw Depeche just 2 nights earlier. Festivals like this are truly exhausting – long days in the sun, on your feet, fighting for good vantage points, and paying too much for food. Can’t wait to do it again 😉

By Friday evening the rain had passed paving the way for hot, muggy weather on Saturday. We made our way into the park a little after 1:00, just missing the Living Things set, and took our time exploring. We checked out Green Street – Lolla’s eco-conscience vendor fair – and the Honda tent with their prize wheel and an Insight cut down the middle. Then we checked out the action at Kidzapalooza including a couple songs by the impressive 10 year-old blues guitarist, Quinn Sullivan.

A little later Atmosphere took to the big stage that DM was on the previous night. Slug and his backup, Ant, drew a big crowd and had heads noddin’ from the start in the early heat. Their set really hit a high point with shout-along “GoldLovesUgly” and the thundering bassline in “Shoulda Known”.

Keeping with hip-hop we headed over to Perry’s to catch Prophit‘s short set. Perry’s was the dance zone in the park with a cool, round stage and suspended sun screens extending in all directions. We didn’t hang out there too much through the weekend, but they did host some great DJ sets (MSTRKRFT, Diplo, Bassnectar, KiD CuDi, and so on). Prophit and his crew were pretty disjointed and sloppy, but they did please the crowd by spinning some Beastie’s “Intergalactic Planetary” and Rage Against the Machine.

After Prophit, Perry Farrel came out with his wife and a small band for a dance set. That went about as well as it sounds. It was weird, not terribly danceable, but like everything Perry does, it was a spectacle.

From Perry’s, we moved on to the other end of Grant Park (the side we’ve barely spent any time at thus far) and found it to be even more packed than the South end. We were trying to find a decent spot for Santigold, but so were about 40,000 other people. She was positioned on a side stage and with the giant crowd, should easily have been on one of the main stages. We finally caught a spot to stand with a decent line of sight, but it was probably 400 feet from the stage. Santi’s set was solid and watching people continually try to sneak in VIP and a fence jumper get chased down and cuffed wasn’t a bad side show.

From there, it was a long trek across the park to catch Lykke Li. By now the sun was really beating down (well, actually it had been for hours!). We found a nice spot of lawn to take a seat under the shade of a few trees, and even hints of a cool breeze off the lake. Paired with the Lykke’s soft rhythms, it was a great break.

With a break before the night’s headliner we grabbed a bite to eat, braved the restrooms, and headed back down to the other end to snag a good spot for the Yeah, Yeah, Yeahs. This was the replacement for the Beastie Boys, who tragically had to cancel less than a couple weeks before. At the other end of the park, Tool was headlining, but I’m not that into them, and D really isn’t, so we stuck with YYYs to see if they could remotely fill the huge shoes left for them.

For the most part I like YYYs. Karen O can be a little grating at times, but usually the synths and beats make up for it. We actually had a nice spot for the show, right on rail though pretty far to the side. We learned during the Atmosphere set that although the crowd is insanely packed at center stage, thirty feet to the side it isn’t to hard to get up front and the view is still pretty awesome.

YYYs started out strong. Karen was in a ridiculous costume, complete with neon headdress, but hey, at least they were trying to make a memorable scene. Their second song was “Phenomena” and ended with their guitarist doing the Beastie Boys riff from “So Watchu Want”. Then they launched into “Heads Will Roll”, which got everyone dancing. A couple songs later came “Gold Lion”, another highlight. There were some down moments, but deeper into the set they played “Honeybear” and then a real frenzy started with “Zero” complete with two giant(!), inflated eyeballs, for the crowd to toss around.

Earlier YYYs had to flat out restart one song, because something was amiss. Then, in the tail end of their set, with probably their most famous song, “Maps”, Karen O completely forgets the second verse, and instead of letting the fans carry her through, she stops, collects herself, and they restart. Somehow a lot of people found this endearing, but I just found it amateurish. They played a couple songs after that, finishing ten minutes early, and didn’t come back for an encore. Tens of thousands stood staring at the stage expecting more. So, day two ended on a rather down note, but it was still a great day in the park with a lot of music.

D and I haven’t been to a Lolla since ’05. That was the year Perry Farrell first brought his music festival back from the ashes and made it a single city, multiple day, multiple stage, show. When Depeche Mode showed up on this year’s lineup (and not making a single other stop anywhere in the Midwest) I thought it was time to make a return trip to Chicago. Tickets weren’t cheap, and three days (plus parking) in a downtown hotel were expensive, but it was an amazing end of Summer blast! And a big weekend deserves a big blog post (or two or three).

Day 1

Friday started out gray and very rainy. The weather was actually fine until right before Lolla’s start; that was about the time we were just rolling into town. Due to weather (and some traffic delays) we cut the first couple bands from our agenda and got situated in the hotel instead. So, we missed watching The Knux and White Lies, a couple bands I’m recently impressed with, but with so many acts to follow, I was only looking forward.

We got into the park a little after 4:00 and after a quick look around while STS9 played in the distance. We then sloshed into the already muddy fields for the start of Crystal Castles. The duo was joined by a live drummer and immediately whipped the crowd into a rainy dance party. The lo-fi, hyperactive synths really meshed with singer Alice Glass’ vocal and physical contortions. They certainly set the tone for a frenetic three days to follow.

We extracted ourselves from the mud near the end of the Crystal Castle set, to catch the end of the Asher Roth show. Roth, wearing a t-shirt and basketball shorts, looks every bit the frat rapper douche jour he is, but damn if he doesn’t have a catchy college anthem.

From there we had a little time to catch a bite, and not just of any lame festival food. One of the premiere chefs in Chicago, Graham Elliot Bowles, had a booth serving awesome lobster corn dogs with lemon aioli. It was fried just crisp enough, with no sogginess, and was loaded with lobster chunks. Yes, it was an oral-palooza. And for nine bucks, it should be.

While enjoying the snack we listed to Thievery Corporation. I was really just waiting for their set to end, and their fans to thin, so we could make our way into a good spot for Depeche, but I was happily surprised by their performance. The pair of DJ’s had lots of musicians with them (horns, latin percussion, etc.) and several singers who switched off song to song. Even in the rain (which was thinning) there was a strong Carnivale vibe. After their set we made a break for stage center. We got as far as about 10 deep from the front before reaching a concentration of fans who were already established. We killed an hour standing there, watching the rain finally cease, and doing our best to keep the growing horde behind us.

Depeche took the stage at 8, while the other night’s headliner, Kings of Leon, did the same, way at the north end of the park. DM eased into the set with newer songs, and by the forth song the energy was full on as they played “Walking in My Shoes”. The first half of the show also included “Question of Time” and “Fly on the Windscreen”, songs which probably predated the birth of some of the attendees, but the older fans sang away.

One of the real highlights came at the halfway point when Martin sang “Home” against only a piano backing. While Dave’s voice has been slowly trading range for power, he’s kept fairly youthful looking. Martin on the other hand, is quickly looking too old for his eyeliner and flamboyant outfits, but his voice is as spot on as ever. The second half of the set included huge Violater hits “Policy of Truth” and “Enjoy the Silence”.

Then they finished with perhaps their best arena song “Never Let Me Down Again”. We’ve seen this song a few times live, and each time, singing and standing in sea of swinging arms, is truly awesome. Finally they came back out and capped off the night with a encore of “Stripped” and “Personal Jesus”. And the damp, exhausted masses made our way out of the park.

It was a strong first day. And we were only getting started.

Saturday night, D and I zipped over to Indy to catch one of the few Midwest stops of the NINJA tour. Although we’ve see Nine Inch Nails and Jane’s Addiction many times before, we haven’t seen them together since the first Lollapalooza tour in ’91. This tour is huge in so many ways. It’s the first time the original Jane’s lineup has been together since 91. It’s also the first time we’re seeing Tom Morello’s new band, Street Sweeper Social Club. But most of all, it’s Trent Reznor’s goodbye tour. Not that there won’t be any new Nails music ever again. But he’s recently engaged and ready to invest in other parts of life…stuff you can’t do in a tour bus.

Street Sweeper and Jane’s put on amazing sets each propelled by their guitar legends and strong front men. Morello and Navarro shredded solos song after song. Tom takes top honors though with playing one solo with his face and another using only the guitar TRS plug and a wah-wah pedal. He was kindly rewarded with 20,000 people singing Happy Birthday to him. But both of these acts were bookends to the main event…the last NIN show I may ever see.

The first time I saw NIN was in ’91 in Columbus. I went alone, got right up to the stage, and moshed to survive while Trent hovered over us. Over 18 years later I was on the other end of the spectrum – out in the lawn, with a bunch of friends – for this final show. In many ways it wasn’t the best Nails show I’ve seen, but in more ways it was the perfect one.

True, a lot of my favorites didn’t make it into the set list. I would have loved to see “Burn” or “Perfect Drug” once more. In fact, the only song from PHM was “Head Like a Hole”. But I have seen those performed before and it gave time for songs I haven’t seen. With six songs in the set list, the Indy show seemed centered on The Downward Spiral. But every album was touched (three each from Broken, Year Zero, and The Slip and one from Fragile and With Teeth). Metal and The Fragile were definitely down tempo highlights for me – I really gained a new love for both of those songs. And there were so many great manic moments (March, Gave Up, Hand that Feeds, Wish, and of course HLAH).

The weather was mild and sunny all day. As concert time approached, heavy clouds rolled in. Just as the sun began to slip away, the rain began to fall and tornado sirens could faintly be heard during Metal – as if some kind of feedback. The rain subsided for a bit then came back during The Fragile. The rain’s intensity built with the song as Trent screamed “I won’t let you fall apart”. Everyone in the lawn got soaked while they kept a watchful eye on the clouds, but I didn’t see anyone leave. Swirling clouds, rain, lightning in darkening skies continued into The Downward Spiral…it was perfect.

Into the final stretch of Mr Self Destruct, Physical, and HLAH the storm had past. Reportedly, Trent had planned to finish their set with HLAH, but the energy tonight was unique, which he commented on, and finished with Hurt. Lighters and cell phones blazed as the masses swayed. Sure it’s a rock concert clique, but it’ll be a goodbye I won’t forget.

NIN concerts:

• Sin Tour 1991/01/28 Columbus, OH
• Lollapalooza 1991/08/03 Chicago, IL
• Further Down The Spiral Tour 1994/11/13 Columbus, OH
• With Teeth Summer Tour 2006/07/03 Noblesville (Indy), IN
• Wave Goodbye Tour 2009/05/30 Noblesville (Indy), IN

No news to report on the computer build just yet, however we went to our last symphony night of the season last night. We’ve been season subscribers to the Cincinnati Symphony Orchestra for 12 years (wow, how time flies!). Even after all this time, Music Hall still blows me away. There’s really not too much I like about Cinci (or Ohio, or the Midwest), but the concert halls are amazing.

I think the ceilings there even inspired me with our basement to some small degree.

D and I took a trip down to the Southgate House to catch The Faint Wednesday night. I find it’s getting harder and harder to pull me out of my comfy suburb to see a show in a smokey club – especially in the middle of the week – but every now and then one comes along that can’t be missed. This was one of those nights.

My friend’s band Eat Sugar opened and put on a solid set. People were still filtering in when they went on, so it wasn’t as packed for them as they might’ve hoped, but everyone seemed to be having a good time. Their music was a great fit with The Faint, so hopefully they picked up a few new fans and sold some discs.

The next act, The Show is the Rainbow, was a hot mess and doesn’t merit any space here. Let me just say Rainbow is a single dude onstage flailing away to prerecorded laptop tracks in some terrible, unmusical, unfunny version of Jack Black. I was cringing with his first song and cowering by the sweaty, shirtless finale.

The Faint came on about 11 and played for an hour (with a three song encore) and they completed shook the joint. For the unfamiliar, they are an electro-punk-pop band from Omaha who really started taking off around 2000. As expected they played a lot of tracks from their latest album, Fasciination, but also threw in their older, harder rocking favs as well. They brought all the AV equipment they might normally use in a much larger venue – so much that they actually had their own generator running in the ally to help power it all. On stage there was barely enough room to move. In addition to the drums, four keyboards, and lots of monitors I counted at least 6 LED light panels, 4 flood strobes, 2 spot strobes, 6 programmed scanner spots, and 2 huge video projectors. The lighting and video (mostly black and white processed collages) was intense and meshed with their sound perfectly. The audio was very good and balanced considering it can be a hard room to mix for. The bass was heavy and throbbing and the synths growled and screamed nicely. And to top it off, singer, Todd Fink, performed in a very Dr. Horrible-esque outfit. Mad scientists or not, they were legen…dary.

Caught a great show last night with Jonathan Coulton playing down in Oakely. Coulton’s gained moderate popularity with songs about zombies (“RE: Your Brains”) and programmers (“Code Monkey”). I, in fact, discovered him a couple years ago while searching for “zombie” songs for the soundtrack to our Nightmare of the Living Dead party. Newer fans have been introduced to him through the song, “Still Alive”, in the game Portal which made its way into the game Rock Band as well. Coulton’s music is smart blend of humor and heart. A lot of his songs reflect his own geeky bend (he’s a former software programmer) with references to mathematics, robotics, and genetic engineering. I usually prefer my humor clearly separate from my music – telling jokes to a jangly guitar wears thin on me fast – but Coulton works for me, thanks in large part to his witty but subtle lyrics and a hell of a lot of musical talent.

The venue, the 20th Century Theater, was a little unusual, with tables and chairs for everyone on the two-tier floor. Above hung a odd assortment of paper lanterns, disco balls, and icicle string lights. The houselights couldn’t be darkened, so the crowd (no more than 200 I’d say) and the stage were about equally lit giving a feel more similar to a gig at a friend’s house than a typical theater performance. Despite the odd appearance the acoustics were very good with clear vocals and all the between-song banter easy to hear.

The opening act was Paul and Storm, who in this region may be even more popular due to their occasional bits on Bob & Tom. They put on a short but spirited set with plenty of audience participation. They’re not the kind of band I’d listen to at home – their humor is of the more blatant variety (ala Adam Sandler) and their songs are not very interesting musically, but they are an excellent show live with lots of improvisation.

JoCo did healthy 18 song set. He played solo, usually with guitar, but brought out a couple electronic gizmos for a couple songs. First he used a Tenori-On to perform “My Monkey”, which was really creative and hypnotic. Then, he used a Zendrum to perform “Mr. Fancy Pants” and he even Rick Roll’d himself during the break. Paul and Storm joined him for five songs, including a first-time cover of “Birdhouse in Your Soul” by They Might Be Giants. He finished with “Re: Your Brains” complete with crowd participating zombies. Here’s a little montage on the evening: