Twas the night before Christmas…

Happy Holidays! Hope you have loads of fun with friends and family.

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Youtube: now serving a little less suck

Like any other monkey with a digital camera, I’m a fan of occasionally dumping videos online. Youtube has always been the de facto place to put your vids online quickly and for the widest distribution. But being popular was also the cause of their biggest shortcoming: crappy quality. With millions of videos and viewers they simply don’t have the capacity to stream top quality vids to everyone. So, they take your nice, shiny, possibly even hi-def, videos and squash them down to blocky, tin can sounding shadows of themselves. Even when they added a “watch in high quality” option I was “highly” underwhelmed.

Early this year I evaluated a dozen other user submitted video sites looking for a higher quality option. I even considered just hosting my own videos. I settled on Vimeo whose default high quality bitrate and 16:9 player were much better than what Youtube could offer. I still used Youtube for most uploads, but if there was a video that I really didn’t want to compromise too far, I’d stick it on Vimeo.

Well, it’s time for another review because Youtube is trying to right themselves with a new, larger 16:9 player and new, higher quality encoding. As a test I took a hi-def (720p) video I recently put together. The original vid is an H.264 encoded MPEG4 and is about 69MB and 2 minutes and 17 seconds long, which puts the original bitrate at 4110 Kbps.

This video looks dramatically different with the options available on Youtube. It’s as noticeable as anywhere looking at samples of text in the video. Unfortunately the default that Youtube viewers will see is the worst. The “normal quality” view in Youtube is highly compressed (over 10:1), down to a 326 Kbps bitrate (making the resulting file only 5.3MB). As part of the compression, the original 1280×720 size has been reduced down to 320×180. Furthermore, the audio has been smashed into mono at 22kHz. Clicking on the “high quality” improves things dramatically. Now the bitrate is 1034 Kbps (total file is 16.8MB) and although the audio is still mono it’s held at a respectable 44KHz.

Then there’s a little known way to force Youtube to reluctantly hand over a truly decent HD file. Add the special parameter “&fmt;=22” to the end of the URL and now we finally have something that can compete with Vimeo. In this case, Youtube streams back a very similar video as I gave it. The video is a H.264 encoded MPEG4 with the original HD dimensions, but compressed down to 2229 Kbps (total file = 36.3MB). The audio is respected too, encoded as stereo AAC at 44kHz. The only caveat is that the file may not stream as smoothly to all viewers.

For comparison the Vimeo video is the same physical size, but encoded with the On2 VP6 codec down to a 1748 Kbps stream. The audio is a stereo mp3 track at 44kHz. One interesting difference is in the frame rate. The hidden-HD option on Youtube kept my video at the original TV standard 29.7 fps, while Vimeo automatically renders videos at the film standard 24 fps.

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I’m Thankful for the Web

I decided it was time for a new look for the ol’ blog. It’s still pretty simple, but the content area is a little wider now so I can better feature decent quality, 16:9 videos from time to time.

Happy Thanksgiving all!

This Just In: Apparently the new layout is kinda broken on IE6. I’ve lost patience for that old browser, just update to 7, yo!

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Bring Out Your Dead

(Sorry ’bout the Photoshop above – I could not resist!)
The game “Left 4 Dead” was released last week following up recent Valve hits like Team Fortress and Portal. Do you dig zombie flicks? Do you like games where you run around like a maniac throwing molotovs and racking up headshots? If you answered yes, this game is one you can’t miss.

The gameplay itself is pretty standard FPS. In fact, a little simple really. As a lowly survivor in the zom-pocalypse you don’t have racks of different weapons on you. There aren’t tons of powerups and armor upgrades littering the map. No, this is running and gunning in the simplest form.

Where things really shine is in the inventive multiplayer modes. In one variation you can play through survivial campaigns as a 4 person co-op. The interaction between players is tight as you fight your way through undead hordes and includes some new tricks like healing teammates. Even though there only four campaigns and the maps are pretty linear, the AI does a good job of randomization. The bar is raised even further in multiplayer “versus” mode. In this case two teams of 4 face off in a campaign with each alternating between the roles of survivors and infecteds. It’s essentially a 4v4 team deathmatch with a neat twist. The survivor team races to complete each map, while the zombie team tries to stop them. Though the zombie team doesn’t have firearms, each has their own special ability to deal out damage. They also have the help of hundreds of lowly AI zombies, and can occasionally spawn as a super-zombie “Tank”. From the games I’ve played, the two very different teams seem actually very well balenced. If you pick it up, hit me up on Steam, I’ll show you my boom stick.

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Ohio stays silent without “Bob”

I should be just hours from seeing Kevin Smith fielding questions, spinning tales, and being all together affably crude. Alas, it was not meant to be.

A couple months ago I heard Kevin was making a rare Ohio appearance on his post- Zack and Miri Q&A; tour. I eagerly plucked down dough for six sweet floor seats and have been waiting for the days to pass. Then suddenly Monday morning I received an email from Miami U with news that the gig had to be cancelled. Appearently due to some shift in the overseas release of “Porno”, Kevin would not be able to make it (and unable to reschedule for the foreseeable future).

Looks like instead I’ll just have to deal out my own wall of profanities while watching the OSU – Michigan game.

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The rich get richer, and then there’s me…

I think my retirement accounts are partying like it’s 1999:


Who’s in the mood for Ramen noodles?

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“Do you take this man and promise to roll the universe into a big ball?”

Just some random goodness to post this Friday – been a while since I’ve had one of those posts.

I recently came across proof that not every wedding is a horrible conglomeration of religion, terrible music, and tulle. A couple in Seattle recently celebrated tying the knot with a completely freakin awesome Katamari wedding cake.

They then followed it up with Guitar Hero for their first “dance”.

I was just thinking, instead of hiring a band or a DJ, people should have Rock Band set up with a huge screen at their wedding. Attendees can dance, or if they aren’t the dancing type, they can play. Plus, it’s a whole lot cheaper and there’s no fear of suffering through the Chicken Dance or the Hokey Pokey. Someone, somewhere must have done this don’t you think?

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The Buckeyes weren’t the only thing that got blown away this weekend…

USC dismantled my team and Ike dismantled my roof! What a shitty weekend.

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9+ Megapixels of Fun

You may or may not have noticed, but my photos took a step up in quality in that post about our vacation. Prior to setting off for that trip I bought a new camera, the Panasonic Lumix DMC-TZ5.

I’m decidedly not a D-SRL guy; I far prefer something I can stick in my pocket on any occasion. But I was growing tired of the limitations of the Casio Exilim that I’ve been using for several years. The Exilim was extremely pocketable and the photos were usually very good, but it’s 3.2 megapixel resolution was growing old and its movie mode (which I use quite a lot) is frustratingly limited to 30 second clips. I finally decided that if I was in the market for an upgrade, doing so before the trip made sense.

After my usual barrage of research I gravitated to the Lumix line, and specifically the 9 megapixel TZ5. Besides the high quality Leica lens unit, the TZ series standout with their 10x optical zoom. I was never too unhappy with the 3x zoom on the Exilim, but after trying the 10x it was too hard to go back. Having a long(ish) lens is not something you might use all the time, but it’s sure nice when you need it. I’m looking forward to my next set of concert shots! On the other end of the spectrum, the wide angle goes down to 28mm, which is better than I’m used to as well. The TZ5 also has all kinds of (now typical) features that the Exilim doesn’t, such as optical stabilization (low light and motion pictures will be much clearer) and face recognition (a fancy auto-focus method). It also has a really detailed and bright 3″ LCD.

The real exciting improvement though is the ability to shoot video clips of any length and all the way up to 16:9 HD movies (1280×720 @ 30fps). The high quality movies look absolutely great, but they eat up about 184MB a minute so it’s nice that there’s several lower resolution and frame rate options.

All in all the only downside to the camera is that it’s got a bit more bulk than what I’m used to. I’m accustomed to my gadgets growing smaller with each upgrade, but in this case the features of the ultra-compacts just didn’t stand up. The TZ5 still easily tucks away in a pants or jacket pocket so it’s not bad.

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In Memoriam

Sally Anne Hoffmann Plante
June 25, 1918 – July 28, 2008

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